PASSIONATE KISSES (Lucinda Williams)
------------------------------------
* In the instrumental bits, I put bar lines (|) to separate measures;
everywhere else in the song, one chord is one measure.
F C/E Dm7 Bb(9)
[piano intro]
x32013 x32011 x32010 32003x 320030 32001x x02210 x02200 x02210 x33211
F F(addBb) F | C C(addA) C(4) | Dm Dm(9) Dm | Bb |
[intro]
F F(addBb) F | C C(addA) C(4) | Dm Dm(9) Dm | Bb |
[intro]
F C
Is it too much to ask
Dm Bb
I want a comfortable bed that won't hurt my back
F C
Food to fill me up
Dm Bb
And warm clothes and all that stuff
F Am
Shouldn't I have this
Dm
Shouldn't I have this
Bb
Shouldn't I have all of this, and
F Bb
Passionate kisses
F Bb
Passionate kisses, whoa oh oh
F Bb
Passionate kisses
F F(addBb) F | C C(addA) C | Dm Dm(9) Dm | Bb |
from you
Is it too much to demand
I want a full house and a rock and roll band
Pens that won't run out of ink
And cool quiet and time to think
Shouldn't I have this
Shouldn't I have this
Shouldn't I have all of this, and
Passionate kisses
Passionate kisses, whoa oh oh
Passionate kisses
F F
from you
Gm7 C Bb Bb(9) Gm7 A7 Dm C C
[guitar solo]
Do I want too much
Am I going overboard to want that touch
I shout it out to the night
"Give me what I deserve, 'cause it's my right"
Shouldn't I have this (shouldn't I)
Shouldn't I have this (shouldn't I)
Shouldn't I have all of this, and
Passionate kisses
Passionate kisses, whoa oh oh
Passionate kisses from
F Bb [the Bb is actually single notes: F-Bb-Bb-Bb-Bb-A-G---]
from you
Passionate kisses
Passionate kisses, whoa oh oh
Passionate kisses
F F(addBb) F | C C(addA) C | Dm Dm(9) Dm | Bb |
from you
F F(addBb) F | C C(addA) C | Dm Dm(9) Dm | Bb |
(Passionate kisses) (Passionate kisses)
F F(addBb) F | C C(addA) C | Dm Dm(9) Dm | Bb |
from you (Passionate kisses) (Passionate kisses)
[repeat and fade]
Someone met John Jenning's (MCC's guitarist) after a concert and asked
him how he plays this song in concert; he wrote it down in standard musical
notation, someone sent it to me, and I converted it to tablature. (But
there's no guarantee that this is where John Jennings puts his fingers.)
The ">" marks are accents.
[Note that this is NOT the recorded version; this is how Jennings plays it
on stage with a smaller band. The recorded version has more than one
electric guitar.]
D A Bm7 G
E ----------------|----------------|----------------|----------------|
B 10----8-----7---|5-----7---------|3-----2---------|----3-----3---3-|
G --7-----7-----7-|--7-----7---7---|--4-----4---4---|--0-----2-------|
D ----7-----7-----|----7-----7---7-|----4-----4---4-|5-----4-----2---|
A ----------------|----------------|----------------|----------------|
E +---+---+---+---|+---+---+---+---|+---+---+---+---|+---+---+---+---|
> > > > > > > > > > > >
Here it is in C (capo 2; I changed a couple notes to make it easier):
C G Am7 F
E 3-----1-----0---|----------------|----------------|----------------|
B --1-----1-----1-|3-----5---------|1-----0---------|----1-----1-----|
G ----0-----0-----|--5-----5---5---|--2-----2---2---|--0-----0-----0-|
D ----------------|----5-----5---5-|----2-----2---2-|3-----2-----0---|
A ----------------|----------------|----------------|----------------|
E +---+---+---+---|+---+---+---+---|+---+---+---+---|+---+---+---+---|
> > > > > > > > > > > >
- transcribed by Adam Schneider, http://adamschneider.net/